desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
desconcierto9 - Performance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardWifredo Lam Comtemporary Art CenterMay-June 2018 Des-concierto 9 · The Banquet takes as its starting point the text of the same name by Platon, to present reflections about art, its representation, the "real" image, the "hyperereal" and its tensions. In addition, he is interested in the idea that suggests a banquet as an event.The work takes place in four acts. The first, "Ah! Hondas ganas ", is a ritual song where lyrical singers participate, who project erotic sounds accompanied by the interpretation of unique musical instruments, designed by the artist. This scene takes place in a courtyard on which a kind of Zen garden with sand has been drawn. The second, "I wanted to forget the gray," is made up of a set of canvases, arranged in different places of space, so that each one constitutes a fragment of the landscape. The route, as a 360º route, has as a central figure a triptych that represents a lagoon. The third, "El Banquete", takes place in a closed room. The viewer can only hear the sound of what goes on inside and see the light that is projected below the door. Meanwhile, in another room, he can watch the video projection of what happens inside, but in silence. And finally, the fourth act, "Invisible sound to awaken Plato", is about an installation.
DES-CONCIERTO 9 · El Banquete

DES-CONCIERTO 9 • El Banquete | Wifredo Lam Comtemporary Art Canter | May-June 2018

Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
Des-Concierto 11 - Center for the Development of the Visual Arts of CubaPerformance-InterventionOctober 2017   During the 7th Contemporary Cuban Art Salon, four mothers, each one with their child (all actors and actresses), previously rehearsed, behaved inappropriately until they were expelled by custodians and curators of the Center for the Development of the Visual Arts. The direction of the performance was via SMS, through cell phones.
DES-CONCIERTO 11 · Eso no se hace II

Center for the Development of the Visual Arts of Cuba | October 2017

Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
Des-Concierto 7 - Galería GalianoExhibition “Si no quieres ir, acuéstate a dormir”InterventionJune-July 2016   For the exhibition “If you do not want to go, lie down to sleep”, dedicated to International Children’s Day, the artist invited the son of the curator, Chrislie Pérez, 8 years old, to intervene the walls of the gallery, for which was given to him creative freedom.
DES-CONCIERTO 7 · Eso no se hace I

Galería Galiano | June-July 2016

Conjuro
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   PadreAcrrylic on canvas130x15x4 cm.2015
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Montaña sobre polvo húmedoAcrrylic on canvas130x15x4 cm.2015
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Tu piel caliente (detail)Oil and enamel on linen25x25x5 cm.2016
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Tu piel calienteOil and enamel on linen25x25x5 cm.2016
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Pinga, nunca te olvido (detail)Oil and enamel on linen25x25x5 cm.2016
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Pinga, nunca te olvidoOil and enamel on linen25x25x5 cm.2016
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Conjuro postracionalSite specificBird feather, gold thread and enamel on canvas2015
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Conjuro postracional (detail)Site specificBird feather, gold thread and enamel on canvas2015
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Legado del maestroPainted cowhide, ink on paper, thread, bronze28x47x30 cm.2014
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Legado del maestro (detail)Painted cowhide, ink on paper, thread, bronze28x47x30 cm.2014
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016  
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Conjuro postpasionalObject of ivory and silver, oil and enamel on canvas230x200 cm2015
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016   Conjuro postpasional (detail)Object of ivory and silver, oil and enamel on canvas230x200 cm2015
Conjuro - PuNcTuM Galery, MexicoJulio | July 2016  
Conjuro

PuNcTuM Galery, Mexico | July 2016

Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
Des-Concierto 8 - Wifredo Lam Contemporary Art CenterPerformance-InterventionJune 2016   For three hours, text messages of 162 characters as 11 poems were sent to 2000 cell phones. This is an advertising strategy adopted by private businesses in Cuba because of the limitations to the Internet in the country.
DES-CONCIERTO 8 · Poesía masiva

Wifredo Lam Contemporary Art Center | June 2016

El Pacto - XVI Puente Sur Performance and Intervention FestivalPerformance-InterventionMayabeque, CubaMarch 2016   ACTO I: Diálogo
El Pacto - XVI Puente Sur Performance and Intervention FestivalPerformance-InterventionMayabeque, CubaMarch 2016   ACTO II: Reunión familiar, discusión
El Pacto - XVI Puente Sur Performance and Intervention FestivalPerformance-InterventionMayabeque, CubaMarch 2016   ACTO III: Reconciliación
El Pacto

XVI Puente Sur Performance and Intervention Festival | March 2016

Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
Des-Concierto 6 - DES-CONCIERTO 6 · Canto épicoCenter for the Development of the Visual Arts of CubaExhibition “Nano”PerformanceJanuary 2016   17 nude theater actors inside a 3 cubic meter black cloth with 15 holes, they were moving throughout the exhibition space. The package were acquiring different forms as the actors placed breasts, penises, arms, feet, eyes, mouths, in the orifices.
DES-CONCIERTO 6 · Canto épico

Center for the Development of the Visual Arts of Cuba | January 2016

Des-Concierto 5 - Galería ServandoPerformance, script, music, installation, object and paintingJuly-August 2015 Cuba, due to a coincidence of environmental and circumstantial factors, is the only territory where the Marabú shrub achieves a population predominance that gives it the name of plague. The “infection” of millions of hectares by this plant, also known as “thorn of the devil”, has propitiated since 2000 advertising campaigns and agricultural reforms for its elimination. At the end of 2014 the television media abruptly turned the terminology of the discourse from “plague” to “energetic medium”, something like from devil to salvation, due to the economic potentialities that it reports. The installation and the performance at the Servando Gallery (whose fence on Calle 23 was superimposed on another Marabú fence) developed the cult of a sect of worshipers of the formerly evil. The catalog-work made a synthesis of the route and change of sign experienced by the bush in terms of public opinion, it recreated in a theatrical way the three acts of performance and served as a vehicle for the propagation of Marabú through its seed given as a gift.
Des-Concierto 5 - Galería ServandoPerformance, script, music, installation, object and paintingJuly-August 2015 Cuba, due to a coincidence of environmental and circumstantial factors, is the only territory where the Marabú shrub achieves a population predominance that gives it the name of plague. The “infection” of millions of hectares by this plant, also known as “thorn of the devil”, has propitiated since 2000 advertising campaigns and agricultural reforms for its elimination. At the end of 2014 the television media abruptly turned the terminology of the discourse from “plague” to “energetic medium”, something like from devil to salvation, due to the economic potentialities that it reports. The installation and the performance at the Servando Gallery (whose fence on Calle 23 was superimposed on another Marabú fence) developed the cult of a sect of worshipers of the formerly evil. The catalog-work made a synthesis of the route and change of sign experienced by the bush in terms of public opinion, it recreated in a theatrical way the three acts of performance and served as a vehicle for the propagation of Marabú through its seed given as a gift.
Des-Concierto 5 - Galería ServandoPerformance, script, music, installation, object and paintingJuly-August 2015 Cuba, due to a coincidence of environmental and circumstantial factors, is the only territory where the Marabú shrub achieves a population predominance that gives it the name of plague. The “infection” of millions of hectares by this plant, also known as “thorn of the devil”, has propitiated since 2000 advertising campaigns and agricultural reforms for its elimination. At the end of 2014 the television media abruptly turned the terminology of the discourse from “plague” to “energetic medium”, something like from devil to salvation, due to the economic potentialities that it reports. The installation and the performance at the Servando Gallery (whose fence on Calle 23 was superimposed on another Marabú fence) developed the cult of a sect of worshipers of the formerly evil. The catalog-work made a synthesis of the route and change of sign experienced by the bush in terms of public opinion, it recreated in a theatrical way the three acts of performance and served as a vehicle for the propagation of Marabú through its seed given as a gift.
Des-Concierto 5 - Galería ServandoPerformance, script, music, installation, object and paintingJuly-August 2015 Cuba, due to a coincidence of environmental and circumstantial factors, is the only territory where the Marabú shrub achieves a population predominance that gives it the name of plague. The “infection” of millions of hectares by this plant, also known as “thorn of the devil”, has propitiated since 2000 advertising campaigns and agricultural reforms for its elimination. At the end of 2014 the television media abruptly turned the terminology of the discourse from “plague” to “energetic medium”, something like from devil to salvation, due to the economic potentialities that it reports. The installation and the performance at the Servando Gallery (whose fence on Calle 23 was superimposed on another Marabú fence) developed the cult of a sect of worshipers of the formerly evil. The catalog-work made a synthesis of the route and change of sign experienced by the bush in terms of public opinion, it recreated in a theatrical way the three acts of performance and served as a vehicle for the propagation of Marabú through its seed given as a gift.
Des-Concierto 5 - Galería ServandoPerformance, script, music, installation, object and paintingJuly-August 2015 Cuba, due to a coincidence of environmental and circumstantial factors, is the only territory where the Marabú shrub achieves a population predominance that gives it the name of plague. The “infection” of millions of hectares by this plant, also known as “thorn of the devil”, has propitiated since 2000 advertising campaigns and agricultural reforms for its elimination. At the end of 2014 the television media abruptly turned the terminology of the discourse from “plague” to “energetic medium”, something like from devil to salvation, due to the economic potentialities that it reports. The installation and the performance at the Servando Gallery (whose fence on Calle 23 was superimposed on another Marabú fence) developed the cult of a sect of worshipers of the formerly evil. The catalog-work made a synthesis of the route and change of sign experienced by the bush in terms of public opinion, it recreated in a theatrical way the three acts of performance and served as a vehicle for the propagation of Marabú through its seed given as a gift.
Des-Concierto 5 - Galería ServandoPerformance, script, music, installation, object and paintingJuly-August 2015 Cuba, due to a coincidence of environmental and circumstantial factors, is the only territory where the Marabú shrub achieves a population predominance that gives it the name of plague. The “infection” of millions of hectares by this plant, also known as “thorn of the devil”, has propitiated since 2000 advertising campaigns and agricultural reforms for its elimination. At the end of 2014 the television media abruptly turned the terminology of the discourse from “plague” to “energetic medium”, something like from devil to salvation, due to the economic potentialities that it reports. The installation and the performance at the Servando Gallery (whose fence on Calle 23 was superimposed on another Marabú fence) developed the cult of a sect of worshipers of the formerly evil. The catalog-work made a synthesis of the route and change of sign experienced by the bush in terms of public opinion, it recreated in a theatrical way the three acts of performance and served as a vehicle for the propagation of Marabú through its seed given as a gift.
Des-Concierto 5 - Galería ServandoPerformance, script, music, installation, object and paintingJuly-August 2015 Cuba, due to a coincidence of environmental and circumstantial factors, is the only territory where the Marabú shrub achieves a population predominance that gives it the name of plague. The “infection” of millions of hectares by this plant, also known as “thorn of the devil”, has propitiated since 2000 advertising campaigns and agricultural reforms for its elimination. At the end of 2014 the television media abruptly turned the terminology of the discourse from “plague” to “energetic medium”, something like from devil to salvation, due to the economic potentialities that it reports. The installation and the performance at the Servando Gallery (whose fence on Calle 23 was superimposed on another Marabú fence) developed the cult of a sect of worshipers of the formerly evil. The catalog-work made a synthesis of the route and change of sign experienced by the bush in terms of public opinion, it recreated in a theatrical way the three acts of performance and served as a vehicle for the propagation of Marabú through its seed given as a gift.
DES-CONCIERTO 5 · La Espina del Diablo

Galería Servando | July-August 2015

Nano - 12th. Havana BiennialGalería Teodoro RamosJune 2015   Nunca moriréIntervention, hole in the ground, glass, wooden object, cloth, pearls, thread, beeswax and rabbit hair
Nano - 12th. Havana BiennialGalería Teodoro RamosJune 2015   Nunca moriréIntervention, hole in the ground, glass, wooden object, cloth, pearls, thread, beeswax and rabbit hair
Nano - 12th. Havana BiennialGalería Teodoro RamosJune 2015   Nunca moriréIntervention, hole in the ground, glass, wooden object, cloth, pearls, thread, beeswax and rabbit hair
Nano - 12th. Havana BiennialGalería Teodoro RamosJune 2015   Nunca moriréIntervention, hole in the ground, glass, wooden object, cloth, pearls, thread, beeswax and rabbit hair
Nano - 12th. Havana BiennialGalería Teodoro RamosJune 2015   Nunca moriréIntervention, hole in the ground, glass, wooden object, cloth, pearls, thread, beeswax and rabbit hair
Nano - 12th. Havana BiennialGalería Teodoro RamosJune 2015   Nunca moriréIntervention, hole in the ground, glass, wooden object, cloth, pearls, thread, beeswax and rabbit hair
Nano - 12th. Havana BiennialGalería Teodoro RamosJune 2015   Nunca moriréIntervention, hole in the ground, glass, wooden object, cloth, pearls, thread, beeswax and rabbit hair
Nano

12th. Havana Biennial | June 2015

Detrás del Muro II - 12th. Havana BiennialHavana MaleconJune 2015  Estos ojos que se tragarán la tierra (culto al silencio)Installation / site specific
Detrás del Muro II - 12th. Havana BiennialHavana MaleconJune 2015  Estos ojos que se tragarán la tierra (culto al silencio)Installation / site specific
Detrás del Muro II - 12th. Havana BiennialHavana MaleconJune 2015  Estos ojos que se tragarán la tierra (culto al silencio)Installation / site specific
Detrás del Muro II - 12th. Havana BiennialHavana MaleconJune 2015  Estos ojos que se tragarán la tierra (culto al silencio)Installation / site specific
Detrás del Muro II - 12th. Havana BiennialHavana MaleconJune 2015  Estos ojos que se tragarán la tierra (culto al silencio)Installation / site specific
Detrás del muro II

12th. Havana Biennial | June 2015

DES-CONCIERTO 4 - 12th. Havana BiennialIntervention in promotional videoJune 2015   The intervention consisted in requesting the video production team that in the moments where my interview appears, it was in slow motion, without audio and with a fixed text on the screen: ADONIS FERRO / DES-CONCIERTO IV / each stone occupies exactly the same space as everything else. The questions revolved around the value of participating in this Biennial, explaining with what work you participate and questions of the type: why did you decide to be an artist?
DES-CONCIERTO 4 · Cada piedra

12th. Havana Biennial | June 2015

DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015   There was a concert starring visitors of the Cuba Pavilion during the Twelfth Biennial of Havana. On the stage there were four electroacoustic instruments (theremin, electric piano, Ipad with percussion instrument software and drumpad). The comedian and animator Jorge Bacallao guided the participation of the public towards his conversion into protagonist for five minutes. The sounds achieved by the quartet of instruments were harmonized by a background sonority. Two cameras recorded what was happening on the stage and retransmitted the images in real time to a giant screen located on 23rd Street, without the sound.
DES-CONCIERTO 3

12th. Havana Biennial | June 2015

DES-CONCIERTO 2 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015 The aesthetics of the reality show, of the television and radio programs that interview the artist is emulated in a conference room and through the presence of Rolando Almirante, host of a well-known Cuban television opinion show entitled El Triangle de the trust. Only instead of questioning the creators Adonis Ferro, Denis Peralta and Maysabel Pintado, their closest relatives are the center of attention. A camera recorded the relatives and the audience and retransmitted it in real time to a screen that was as a background of the interview. The images presented of the same enlarged relatives or of the public being taken by surprise disconcerted in the middle of certain romanticism of the scene, as well as the audio that was altered to simulate technical damage in a kind of internal boycott.
DES-CONCIERTO 2 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015 The aesthetics of the reality show, of the television and radio programs that interview the artist is emulated in a conference room and through the presence of Rolando Almirante, host of a well-known Cuban television opinion show entitled El Triangle de the trust. Only instead of questioning the creators Adonis Ferro, Denis Peralta and Maysabel Pintado, their closest relatives are the center of attention. A camera recorded the relatives and the audience and retransmitted it in real time to a screen that was as a background of the interview. The images presented of the same enlarged relatives or of the public being taken by surprise disconcerted in the middle of certain romanticism of the scene, as well as the audio that was altered to simulate technical damage in a kind of internal boycott.
DES-CONCIERTO 2 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015 The aesthetics of the reality show, of the television and radio programs that interview the artist is emulated in a conference room and through the presence of Rolando Almirante, host of a well-known Cuban television opinion show entitled El Triangle de the trust. Only instead of questioning the creators Adonis Ferro, Denis Peralta and Maysabel Pintado, their closest relatives are the center of attention. A camera recorded the relatives and the audience and retransmitted it in real time to a screen that was as a background of the interview. The images presented of the same enlarged relatives or of the public being taken by surprise disconcerted in the middle of certain romanticism of the scene, as well as the audio that was altered to simulate technical damage in a kind of internal boycott.
DES-CONCIERTO 2 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015 The aesthetics of the reality show, of the television and radio programs that interview the artist is emulated in a conference room and through the presence of Rolando Almirante, host of a well-known Cuban television opinion show entitled El Triangle de the trust. Only instead of questioning the creators Adonis Ferro, Denis Peralta and Maysabel Pintado, their closest relatives are the center of attention. A camera recorded the relatives and the audience and retransmitted it in real time to a screen that was as a background of the interview. The images presented of the same enlarged relatives or of the public being taken by surprise disconcerted in the middle of certain romanticism of the scene, as well as the audio that was altered to simulate technical damage in a kind of internal boycott.
DES-CONCIERTO 2 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationCuba PavilionJune 2015 The aesthetics of the reality show, of the television and radio programs that interview the artist is emulated in a conference room and through the presence of Rolando Almirante, host of a well-known Cuban television opinion show entitled El Triangle de the trust. Only instead of questioning the creators Adonis Ferro, Denis Peralta and Maysabel Pintado, their closest relatives are the center of attention. A camera recorded the relatives and the audience and retransmitted it in real time to a screen that was as a background of the interview. The images presented of the same enlarged relatives or of the public being taken by surprise disconcerted in the middle of certain romanticism of the scene, as well as the audio that was altered to simulate technical damage in a kind of internal boycott.
DES-CONCIERTO 2

12th. Havana Biennial | June 2015

Des-Concierto1 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationYara theaterJune 2015 The script of the monologue of Des-concert 1 was written between the artist Adonis Ferro and the actress Neisy Alpízar exhibiting personal experiences: metamorphosed the firstones and in direct language the second ones, establishing, each other, a break of the enunciation code. Microphones in the Yara cinema-theater lobby recorded the audience waiting for the opening. The theatrical interpretation of the text on stage was sonorous while the lights followed the interpretive tour of an absent body. The recorded sound of the audience was fundamental in the presentation, because of the dialogue with the recording of the voice of the actress.
Des-Concierto1 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationYara theaterJune 2015 The script of the monologue of Des-concert 1 was written between the artist Adonis Ferro and the actress Neisy Alpízar exhibiting personal experiences: metamorphosed the firstones and in direct language the second ones, establishing, each other, a break of the enunciation code. Microphones in the Yara cinema-theater lobby recorded the audience waiting for the opening. The theatrical interpretation of the text on stage was sonorous while the lights followed the interpretive tour of an absent body. The recorded sound of the audience was fundamental in the presentation, because of the dialogue with the recording of the voice of the actress.
Des-Concierto1 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationYara theaterJune 2015 The script of the monologue of Des-concert 1 was written between the artist Adonis Ferro and the actress Neisy Alpízar exhibiting personal experiences: metamorphosed the firstones and in direct language the second ones, establishing, each other, a break of the enunciation code. Microphones in the Yara cinema-theater lobby recorded the audience waiting for the opening. The theatrical interpretation of the text on stage was sonorous while the lights followed the interpretive tour of an absent body. The recorded sound of the audience was fundamental in the presentation, because of the dialogue with the recording of the voice of the actress.
Des-Concierto1 - 12th. Havana BiennialExhibition “Between, Inside, Outside”Interactive performance and video-installationYara theaterJune 2015 The script of the monologue of Des-concert 1 was written between the artist Adonis Ferro and the actress Neisy Alpízar exhibiting personal experiences: metamorphosed the firstones and in direct language the second ones, establishing, each other, a break of the enunciation code. Microphones in the Yara cinema-theater lobby recorded the audience waiting for the opening. The theatrical interpretation of the text on stage was sonorous while the lights followed the interpretive tour of an absent body. The recorded sound of the audience was fundamental in the presentation, because of the dialogue with the recording of the voice of the actress.
DES-CONCIERTO 1

12th. Havana Biennial | June 2015

DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua - Galería GalianoPerformance-installation, drawings, video-installation with security cameras, music, wall poetry and texts on cardboardMarch - May 2014 A wire structure, manually woven by four workers from a previous model and under the artist’s orientations, occupied the center of the gallery space. This piece suffers a constant mutation during exhibition time and when it´s adapted to new spaces.
DES-CONCIERTO 0 · Ojo de agua

Galería Galiano | March - May 2014

 

Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013 Pretende escuchar los símbolos y te salvarásMateria seriesInk, pen on cardboard of the 1970s13x21,5 cm.2012-2013
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013 Me encantas cuando ardesMateria seriesInk, pen on cardboard of the 1970s13x21,5 cm.2012
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013 En la curva estos son poderes, no dudesMateria seriesInk, pen on cardboard of the 1970s33x52 cm.2013
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013 Los desconocidos también lloranMateria seriesInk, pen on cardboard of the 1970s13x21,5 cm.2012
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013 ¿Quién dirige los acontecimientos?Materia seriesInk, pen on cardboard of the 1970s33x52 cm.2013
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013 Desde la tierra nos repetimosMateria seriesInk, pen on cardboard of the 1970s33x52 cm.2013
Apenas sujetarnos - Invited artist for the Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Galería GalianoChaplin theaterVideo and drawingsApril 2013 Ya no temas, estamos todos juntos, es el objetivoMateria seriesInk, pen on cardboard of the 1970s38x53,5 cm.2013
Apenas sujetarnos
Apenas sujetarnos
Y apenas sujetarnos

Young Filmmakers Event of the Cuban Institute of Cinematographic Art and Industry (ICAIC), Havana | April 2013